Trombone Solo Sheet Music

Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same.  A

Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending

This sacred set of solos is presented in a reverent setting for Lent and Holy Week services. The soloist is provided the opportunity for musical expression with a fluid cadenza before the

A collection for trombone and piano including arrangements on Come, Thou Long Expected Jesus, Angels We Have Heard On High, and What Child Is This? These solos exploit the full range of

A collection for trombone and piano including arrangements on Hark! The Herald Angels Sing, Go, Tell It On The Mountain, and How Great Our Joy.  These solos make good use of

A collection for trombone and piano including arrangements on O Come, All Ye Faithful,  O Come, O Come, Immanuel, and It Came Upon The Midnight Clear. These solos exploit the full

A trombone solo which begins with a sense of agony in the piano using the tune of "Beneath The Cross Of Jesus." The solo then makes a declamatory statement and then becomes very expressive in a

After a brief introduction the tuba solo enters with the theme with a piano line that is rather alla-Baroque. The next section is presented in the piano with warm harmonic movement. The middle section is

Originally in a duple meter this arrangement very cleverly is in a 6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece returns to

An accompanied trombone solo that begins with a gentle piano introduction. The soloist then presents the tune with subtle modifications. The second section progresses with even greater melodic enhancement.

A gentle introduction by the piano and then the solo trombone presents the theme with subtle rhythmic deviation. The chorus continues in the same fashion. A quick modulation and the theme continues in a

After a brief introduction the trombone solo enters with the theme with a piano line that is rather alla-Baroque. The next section is presented in the piano with warm harmonic movement. The middle section

This solo is in a march style throughout. It begins with little fanfare figures in the piano and then as it progress the soloist and piano exchange rolls. The second section is in a variation style while

After a majestic introduction the piece settles down into a softer and more expressive rendition of the tune "How Great Thou Art." The middle section is a variation of the first section with the melody in

This solo is in a march style throughout. It begins with little fanfare figures in the piano and then as it progress the soloist and piano exchange rolls. The second section is in a variation style while

Originally in a duple meter this arrangement very cleverly is in a  6-8 march style. It progresses in a rather processional manner and then transitions to a slower reflective expression. The piece